High powered amplifiers double and sometimes quadruple their output power into ever lower speaker impedance loads. Is that necessary and, if so, why?

Often the technical terms we hear concerning audio are had to understand. Paul does his best to simplify the process of digital audio oversampling.

Sometimes it's necessary to run long speaker cable lengths up to 50 and 60 feet or more. What's the best way to do that without sacrificing audio quality?

It's been decades since PS Audio has made an integrated amplifier. This viewer wants to know why that is and what PS Audio plans to do about it.

If you play your speakers loud but they are not showing signs of distortion, can they sustain damage over the long term?

PS Audio's Octave Records recording and mastering studio uses a classic analog board purchased from singer Neil Young. What famous recordings were made on this very board?

The last visit this viewer made to PS Audio was less than exciting when it came to bass. What happened? Should the mighty IRSV have an added subwoofer?

With all the problems associated with separates like cables, noise, many boxes and expenses, is it perhaps better to choose a high quality integrated amplifier instead?

One faction believes we can measure everything. If it's not measurable, it's not audible. The other side suggests that's not true at all. Who is right?

If this person is paying more attention to great recordings and shying away from the poorer sounding ones, is he an audiophile? Is he missing out on music?

Instead of squeezing the internal data structure down to S/PDIF inside a CD player to output to a DAC, is it better just to use the DAC built in to the player?

What happens if you exceed the rated wattage specifications of a loudspeaker? Is there a problem with too big of an amplifier connected to a speaker?

The visitor understands how vibration damping can positively impact the performance of a turntable, but a CD player? Really?