rodrigues
I Got Your 3-Way Right Here
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- Cover: Issue 51
- Opening Salvo: Area 51
- Table of Contents: Issue 51
- Too Much Tchaikovsky: Searching For Big
- Music, Audio, and Other Illnesses: Danny Thompson
- The Audio Cynic: In the Land of the Surreal, Is Realism Relevant?
- Quibbles and Bits: Loudness
- Twisted Systems: Climbing to the Audio Summit Part 1: Turntables
- Vintage Whine: 15,000 Pages!
- Music'al Notes: The Deal (or: How Adolf Hitler Bought Me a Jaguar)
- ... And Indie for All: David Myles
- Music to My Ears: Nat King Cole: For Sentimental Reasons
- Industry News: One Down, One to Go
- The Copper Interview: Tom Fine, Part 3
- Featured: Cables: RCA Interconnects
- Featured: CES: A Look Around
- rodrigues: I Got Your 3-Way Right Here
- Parting Shot: Badlands, Wyoming
I doubt that the Fletcher-Munson experiment based on single isolated sine waves represent the way our brain processes natural sounds being composed of a base tone and multiple overtones in a background noise field. Better they should have played different instruments and asked the listeners when they would perceived same loudness level. Sound pressure level meters might have given then most astonishing results giving correlations based on natural psychoacoustic.